What’s great about the sci-fi element of the show is that you can speak to a larger scale of what’s going on in the world in this fictional world.
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TVLINE | I like how she, or Rufus, will find moments to have their say, even if it’s a throwaway line like, “You’re a rocket scientist, you can figure out how to make coffee,” Lucy may not to cause a huge ripple effect in 1969, but she’s going to get in her zinger if she can. I’m so curious to see what we keep doing with Lucy, and where they keep taking her…. No, and I keep trying to get hints! That’ll be my Christmas present from them, I guess. TVLINE | Have Eric and Shawn given you any hint about the season finale? And then our midseason finale, I can’t wait to see how that one comes together. We also learn more about what Flynn’s after. In the Bonnie and Clyde episode, you’re going to learn a lot more about Wyatt and Lucy, and they’re going to develop a relationship with Bonnie and Clyde, which was great. I feel like every week we form a dubious pact. TVLINE | A synopsis says the three of you form a “dubious pact.” As with any good action-adventure storyline, you keep learning more truth, and the tensions keep rising. Yeah, a lot more is just going to be revealed, as we get closer. TVLINE | It sounds like in the next two episodes - involving Bonnie and Clyde and then Benedict Arnold - things get very tense for the “time team.” I wonder how you prepared for that role….” I was like, “I had a very good teacher.” It’s funny because Jon Hamm saw a promo and wrote me, like, “Whoa, the ’60s. So, what I didn’t get from the Mad Men experience that everyone else got was the makeup, and hair, and the undergarments, all of that. Suzanne was a very progressive character for the show at that time. But what was interesting about is that I didn’t wear any makeup, my hair was my natural curl. TVLINE | Did you have any flashbacks to your Mad Men arc when you were in ’69, because I was thinking that it was only a few years off from school teacher Suzanne…. Super Ali McGraw.” And then we went to ’69, and I’m like, “No, no, this is the one, guys,” and then we went back to 1893 and I’m like, “OK, we found it”…. Yeah, this is my era,” and then when we got to the ‘70s I was like, “No, this is my era. I thought it was that one, but no, this is the one you should live in.” I got to the ’40s and I was like, “Oh, this is Katherine Hepburn. And so the first day of a new episode I come to set and everyone’s like, “Whoa.
We don’t do camera, makeup, and hair tests ahead of time, but our makeup, hair and costume departments know me so well now that literally on the first day we find. “I look goooood.” It’s so funny because I feel like that every episode. TVLINE | In which era do you think you look best so far? When have you been in the makeup trailer and you’re like, “I like this…”? It looks like a movie, so kudos to every single creative and department head we have. I’ve never seen it done and done in the way that we’re doing it, because the show isn’t doing it on the cheap either.
I mean, to create brand new sets, costumes, characters, makeup…. I have no idea how the crew and the creative team are doing it. That episode showed that that really is the heart of the show and everything else is just an incredible, amazing world to support it, because, I will say, this is the most difficult show I’ve ever been a part of, and also seen or been on, because it is completely ambitious.
What I loved about that episode was that it showed that characters are enough, and I believe that about television - if you love and are interested in the characters, you’ll go on any journey with them. TVLINE | Just look at the “Stranded” episode, where there was no mission, per se, and yet it was fascinating just seeing the characters bounce off each other, watching Rufus offer to die with his friends and such.Īgain, you’re experimenting with what your show is becoming, and if you get enough episodes, and enough time, and enough support from the network to keep exploring, you can keep discovering things. It’s fun to explore time periods, but how do we also serve everyone’s character arc?
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Also, we were finding the show and learning how you balance these characters who have really full interesting lives, because they are really what bring people week after week. That’s part of the “parsing it out,” and it’s interesting because with Shawn Ryan and Eric Kripke, we’re in discussions about that all the time - dropping the information at the time when the characters and the story are ready for it. But in the early episodes, were you on set like, “Why don’t I just ask him in this scene…?” Because I was kind of screaming at the TV, “Ask him why he’s not the bad guy.”
TVLINE | Flynn, in recent weeks, has finally started to give us some hints about where he’s coming from, what his agenda is.
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